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First year design studio at Pratt Critic: Coersmeier

20050128

Sparring Mates:

SHADDOW BOXING vs. TRAINING ROUTINE
(Heidi Jandris and Ryan Southworth)

WRAP TRADITIONAL vs. WRAP RIBBON
(Jessica Moberg and John Bezemes)

BOBBING WEAVING vs. V-UP
(Andrew Bloomfield and John Seward)

FIGHT BY JAB vs. FIGHT IN ZAIRE
(Jason Schick and Maya Semple)

FALLING vs. FOOTWORK
(Daniel Hetteix and Tim Choi)

KNOCK-OUT vs. TORSION/OPENINGS
(Brendan Wilkins and Gretchen Cobb)

With your sparring partner - this weekend - discuss feedback you have received yesterday; evaluate progress you have made since; share data on event/routine; discuss/exchange notation method; meet to watch fight (optional). Respect-, test-, enhance eachother's project. Establish and share privileged word set (one part technique, one part effects). Produce individually and a lot. 5+ drawings (D.30-34 (Possible new format : 8 1/2 x 33 panorama)), 1+ sketch Model (M.4). On monday present in pairs.

.: Jonas 11:33 AM


20050127

As of now I am planning to come in for TA sessions on Sunday night at 8:00 PM and and on Wednesday night at 8:00 PM.

Alex

.: Alex Gryger 1:57 PM


Here is a list of Expertise with Titles that I have received so far.

Andrew Bloomfield
expertise: Bobbing and Weaving
Title: Bobbing and Weaving

Brendan Wilkins
expertise: The moment of Knock Out
Title: Knock out

John Seward
expertise: the V-up
Title: Defensive Maneuvers

John Bezemes
expertise: Ribbon method
title: Hand Wrapping

.: Alex Gryger 1:44 PM


20050126

Boxing : words and rules

Tomorrow's individual sessions will start an hour early, 1 pm

.: Jonas 4:33 PM


20050125

Oscar Nominations : The seven nods for "Million Dollar Baby" included one for Hilary Swank. Go to Article

Training at Gleason's

WEEK TWO updated below


.: Jonas 1:17 PM


20050124



trainer.gif

.: Jonas 11:22 PM


Here are a few more of the expertise I've gotten since the last posting:

Jessica Moberg
Traditional Hand Wrapping

Maya Semple
Muhammad Ali and George Foreman Fight in Zaire

John Seward
Defensive manuevers and their strategy of use

John Bezemes
Hand wrapping, the "ribbon method"

.: Alex Gryger 10:54 AM


WEEK TWO

Building Continuous Variation

TODAY

Name X, give it a title, use three words at the most. Number your drawings (D.) on the back of the page, consecutively as they were produced. D.1-5 'Million Dollar' Sketches, D.6-8 'Million Dollar' Drawings, D.9-13 Pencil 'on X', D.14-16 Ink 'on X'. Pin-up and present your drawings and research material. Ask questions on X.

TONIGHT

On the basis of D.9-16, incorporating today's feedback and possible new info on X, draw five more maps and notations (pencil on vellum 8 1/2 x 11). Be very literal in your temporal and spatial recording, be specific, leave out no detail of X's Continuous Variation. Consider these five drawings (D.17-21) as scientific assessments of the ritual/event.

TOMORROW

Gather data on X, do research and continue your variations of the 'scientific method'. Sketch a lot (n=open, soft pencil on white paper). Produce many drawings (pencil on vellum) redraw successful ones (n=5+, D.22-26).

WEDNESDAY

Ink a preliminary selection of three (D.27-29). All 8 1/2 x 11. Build three simple paper models, 'sketch models' (M.1-3) that correspond to maps/notations D.27-29.

THURSDAY

In Class: pin up all D. for individual desk talk. Starting thursday: Notation to Diagram: Continue your research on X with a focus on how X is commonly documented. Are there any modes of representation specific to X. Read Texts on Diagrams (below). Starting tomorrow use D.9-29 as 'raw material', data for the development of your diagram. Start by sketching and drawing then build sketch models.

Texts:

Stan Allen : Diagrams Matter
Sanford Kwinter : The Genealogy of Models // xerox
Joyce Carol Oates, On Boxing // xerox
Paul Griffiths, Modern Music // in class

.: Jonas 9:35 AM


20050123

When a boxer is "knocked out" it doesn't mean, as it's commonly thought, that he has been knocked unconscious, or even incapacitated; it means rather more poetically that he has been knocked out of Time. (The referee's dramatic count of ten constitutes a methaphysical parenthesis of a kind through which the fallen boxer must penetrate if he hopes to continue in Time) There are in a sense two dimensions of Time abruptly operant: while the standing boxer is in time the fallen boxer is out of time. (Oates)

.: Jonas 8:28 AM


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